At times like these, I feel the need to confess that I came to love theatre somewhat late in my life, (the beginning of college.) I did not "grow-up" on it. Therefore, some of the classics still hold surprises for me. For example, "Rose's Turn" is probably the song everyone waits for, and wonders of a given actress: "can she pull it off?" In the case of Sharon Maroney, the answer is an emphatic yes. It is a moment so striking that all which came before it is momentarily reduced to a blur, and yet it also serves to explain everything. It's the strangest feeling, one I have experienced very few times. She owns the thing. Sometimes being uninitiated has its advantages. I often have trouble choosing a production-photo, not this time:
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