"I Love to Eat" at Portland Center Stage

I saw "I Love to Eat" at the perfect time in my life, I have just begun to cook and I've had enough successes that I've arrived at the "this is fun!" stage. If playwright James Still's portrait of James Beard is accurate, Mr. Beard does not seem to have ever left that stage. He was a foodie, but not a food snob. My favorite parts of the play were the little pearls of wisdom he gives the audience about food, cooking, his own process, and tips and tricks.  One of these is his distaste for pretension, (he hated the word "cuisine" to describe American cookery.) There's a moment where he lavishes praise on fellow TV-chef Julia Child's garlic mashed potatoes, though he quick to wonder whether the cream sauce is necessary....

The play shares its name with Mr. Beard's cooking show, the first of its kind, and the title does seem an apt description of the man and his philosophy. He loved to eat, and viewed food as a path to happiness. Some of us got to share in his love for food right there in the moment, as the actor (Rob Nagle)  prepared onion sandwiches for the first row....

The highest compliment I can pay the show is that it has inspired me to seek out one of James Beard's cookbooks.... Throughout the show Mr. Beard insists that it was his mission to convince people that cooking is not something reserved for the elite, and I will take him at his word, his approach is very enticing to a beginner, and seems to start with a love for eating. I have that in spades, oh and I have a monogrammed apron just like his... I'm well on my way!

"The Lost Boy" @ Artists Rep

"The Lost Boy"  recounts the 1874 kidnapping of Charley Ross in Philadelphia, America's first kidnapping for ransom. Charley is the son of a once wealthy man, but the stock market has crashed and they are living on credit, making the $10,000 ransom a nearly impossible demand. The kidnapping inspired many of our modern day anxieties and fearful admonitions, such as "don't take candy from strangers." (Charley and his brother Walter are lured away from their front yard with the promise of candy and fireworks.)

The case captures the attention of the burgeoning mass-media, and the bizarre and almost sickening imagination of showman P.T. Barnum, who makes frequent appearances in the play and finds some truly odd ways to incorporate the tragedy into his travelling circus acts, culminating in a stomach-turning offer to Charley's father in the play's final moments.....

My favorite scenes-the ones that stayed with me the longest, and were so unnerving that I was surprised they didn't creep into my dreams-were those in which one of the kidnappers, Bill Mosher, (Duffy Epstein) hisses menacingly at the anguished father pulled in so many directions by the police and the media, reminding him that he has his child...  Eventually the play becomes about Charley's father and how he is slowly ensnared in the media's voyeuristic trap, it's very hard to watch......